![]() 4 A common thread connecting Euphorion especially with Parthenius (and setting Callimachus apart) is definitely their taste for sensationalism, expressed by the preference for morbid love stories. 8 For the use of the same method in the interpretation of Apollonius, Lycophron and Nicander and, by (.)ĥThe present study offers an overview of stories and motifs that highlight the dark side of Euphorion’s aesthetics.ĥ Parthenius seems to have been the connection between Alexandria and Rome, and it is through him that Euphorion became a model for the elegist Cornelius Gallus and the dark love poet Cinna.Yet, since these categories have also played a formative role in the development of modern-day movements, primarily Romanticism and Decadence, this study attempts to draw a parallel between Euphorion and 19th century aesthetics too.Īs introduced here the term ‘darkness’ comprises the fantastic, the morbid, the horrifying and the uncanny. Though anachronistic, this line of reasoning is based on certain ideological and cultural analogies between the Hellenistic and the Romantic era – the emphasis on imagination and individuality, the invention of a new sensibility, the portrayal of human passions, the emergence of fantasy and the growing importance of visualization and sensationalism in art it is therefore a new lens through which Alexandrian poetics, and especially Euphorion, may be re-viewed and re-assessed. 9 Perhaps the term wonder tale, deriving from modern theoretical approaches to the fantastic, is app (.).10 This is the definition given by Todorov 1975, p.#Love strange love 1982 dailymotion full. ![]()
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